Books
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Faulkner's Cartographies of Consciousness. Cambridge University Press, 2024.
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American Metempsychosis: Emerson, Whitman and the New Poetry. Fordham University Press, 2012. Reviewed in Nineteenth-Century Literature 68.4 (2014): 550-552; and in The New England Quarterly 86.1 (2013): 139-141.
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Romantic Legacies: Transnational and Transdisciplinary Contexts. Co-edited volume with Shun-liang Chao. Routledge, 2019.
Peer-Reviewed Articles & Book Chapters
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“Self-Effacing Barbie: The Ideal, the Real, and the Quest for Authentic Selfhood,” with Justin Prystash in Film-Philosophy 29.1 (Forthcoming, 2025). A&HCI.
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“Emerson’s ‘Pure Plastic Idea’ and the Indefinite Dyad of the Platonic Heritage,” Emerson, Father of the American Mind, edited by Emile Alexandrov and Steve Stakland. London: Routledge, forthcoming 2025.
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“Miasma in the House of Memory: Idealism, Contagion, and the Making of the Gothic Self,” Concentric: Literary and Cultural Studies 49.2 (2023): 126-154. A&HCI.
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“Faulkner’s Human Hive: Complex Systems in The Hamlet,” Digitizing Faulkner: Yoknapatawpha in the Twenty-First Century, edited by Theresa M. Towner. Charlottesville: University of Virginia Press, 2022: 125-150.
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“The American Art of Memory: Idealism and the Romantic Constitution of Cognitive Interiority,” Religion and the Arts 25. 1/2 (2021): 70-98. A&HCI.
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“‘You have to be a transparent eyeball’: Transcendental Afterlives in Matthew Weiner’s Mad Men,” Romantic Legacies: Transnational and Transdisciplinary Contexts. London: Routledge, 2019, 174-192.
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“Introduction: Romantic Legacies: An Incomplete Project,” Romantic Legacies: Transnational and Transdisciplinary Contexts, eds. Shun-liang Chao and John Corrigan. London: Routledge, 2019: 1-30.
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“Mask in the Museum: Phenomenology of the Indian Artifact in Verbinski’s Lone Ranger,” New Review of Film and Television Studies 16.4 (2018): 393-414. A&HCI.
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“Murder in the House of Memory: Faulkner’s Plantation Prototype and the Elite Planter in Flags in the Dust,” modernism/modernity 4.2 (2019): https://modernismmodernity.org/articles/murder-house-memory. A&HCI.
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“Emerson’s Sad Clown: American Romanticism and the Duality of the Humourist,” Humour in the Arts: New Perspectives, eds. Vivienne Westbrook and Shun-liang Chao. London: Routledge, 146-164.
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“Emerson in the East: Perennial Philosophy as Humanistic Inquiry” in Approaches to Teaching the Works of Ralph Waldo Emerson, eds. Mark C. Long and Sean Ross Meehan. New York: MLA, 187-191.
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“Sourceless Sunlight: Faulkner’s Sanctuary and the Sacrificial Crisis,” Mosaic: A Journal for the Interdisciplinary Study of Literature 50.4 (2017), 139-155. A&HCI.
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“Encoding Yoknapatawpha: Faulkner in the Information Age,” Mississippi Quarterly: The Journal of Southern Cultures 68.3-4 (2015) 470-473. A&HCI.
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“Codas of Creation: Emanation Mysticism and Alchemical Regeneration in Terrence Malick’s The Tree of Life,” Religion and the Arts 19.5 (2015), 552-582. A&HCI.
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“Disrupting Flow: Seinfeld, Sopranos Series Finale and the Aesthetic of Anxiety,” with Maria Corrigan in Television & New Media 13.2 (2012): 91-102. SCI.
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“Visions of Power and Dispossession: Emerson, Whitman and the ‘Robust Soul’,” Walt Whitman Quarterly Review 28.3 (2011): 122-140. A&HCI.
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“The Metempsychotic Mind: Emerson and Consciousness,” Journal of the History of Ideas 71.3 (2010): 433-455. A&HCI.
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“Emerson’s Ladder of Ascent: Modernity and the Platonic Tradition,” Dionysius 27 (2009): 155-172.
Digital Humanities
Novels
1) “Faulkner’s As I Lay Dying.” Added to the project: 2014. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
2) “Faulkner’s The Hamlet.” Added to the project: 2016. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
3) “Faulkner’s The Mansion.” Added to the project: 2018. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
4) “Faulkner’s Absalom, Absalom!.” Added to the project: 2017. Additional Editing 2019: John Corrigan. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
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5) “Faulkner’s The Sound and the Fury.” Added to the project: 2014. Additional editing 2020: John Corrigan, John Padgett. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
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Short Stories​
6) “Faulkner’s ‘The Bear.’” Added to the project: 2015. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
7) “Faulkner’s ‘Centaur in Brass.’” Added to the project: 2015. Additional editing 2018: John Corrigan, Jennie J. Joiner. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
8) “Faulkner’s ‘A Rose for Emily.’” Added to the project: 2012. Additional editing 2018: John Corrigan, Jennie J. Joiner. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
9) “Faulkner’s ‘All the Dead Pilots.’” Added to the project: 2015. Additional Editing 2018: John Corrigan. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
10) “Faulkner’s ‘A Bear Hunt.’” Added to the project: 2017. Additional Editing: 2018. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
11) “Faulkner’s ‘Skirmish at Sartoris.’” Added to the project: 2014. Additional editing 2018: John Corrigan, Jennie J. Joiner. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
12) “Faulkner’s ‘A Bear Hunt.’” Added to the project: 2017. Additional editing 2019: John Corrigan. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
13) “Faulkner’s ‘The Hound.’” Added to the project: 2016. Additional editing 2021: John Corrigan. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu
14) “Faulkner’s ‘A Hand Upon the Waters.’” Added to the project: 2018. Additional editing 2022: John Corrigan. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu